Our superstar for today is Cooper Mae. Cooper Mae is the type of conversational pop artist that feels like a late-night debrief with your smartest, most cynical friend. With a pen dipped in sharp feminist wit, she writes anthems that are specifically for the overthinkers, for those of us who dissect every look and every line that crosses our path. On October 22nd, she gifted us with her latest offering, “Hindsight Looks Good on Us,” a track that is a masterclass in sarcastic self-reflection. So let’s peel back the layers and get into the heart of this track.

The song begins with a guitar riff that has been so carefully constructed that it’s like a tailored suit, perfectly designed to fit a pop anthem. It’s crisp, it’s catchy, and it’s inviting. But it’s not until Mae’s voice enters the scene that you hear the hook, and there’s an immediate sense of reassurance that your curiosity was justified. Sometimes, with a musical introduction, you know within a handful of notes that playing that song was the best decision you’ve made all day. By the time you hit the first chorus, you aren’t just listening to a song by Mae, you’re mentally preparing to seek out her entire discography to see where else she might take you with her wit and her melody.

Let’s talk theme. While most breakup songs revel in the wreckage of the relationship—the fighting, the scorched earth—”Hindsight Looks Good on Us” deals with a far more nuanced emotional landscape. Mae plays with the common trope of the “good times” being forgotten as a means of survival, but in this song, the narrator is plagued by a far more poignant and melancholy truth: “It wasn’t great, but it was enough.” She skillfully captures the duality of a contemporary heartache: the outward appearance of “I’m doing fine” versus the internal recognition that, indeed, what they had was good. It is a song about the weight and burden of nostalgia. It is a perfect encapsulation of that famous line from The Office series finale, spoken by the iconic character of Andy Bernard: “I wish there was a way to know you’re in the good old days before you’ve actually left them.” Mae reminds us that sometimes the hardest part of moving on isn’t necessarily moving on from the pain, but coming to terms with the fact that, indeed, the “good old days” were really good and are now behind you, and they look better from here than they ever did when you were living them.

As we discuss the sonic architecture and the spirit of the track, think of it as the intersection of Sabrina Carpenter’s razor-sharp sarcasm and Olivia Rodrigo’s precision with emotional depth. The production is not just the setting; it is an integral part of the storytelling. The track, through its playful hooks and lyrics that feel like an unfiltered voice note to a best friend, is all about the complicated relief of the “after.”

This is more than just a song, though. It’s an exploration of the understanding that, while the memories may have their own charm, you are undoubtedly more “you” now that you are apart. This is a pop song, and a rare breed at that, as it’s a shoulder to cry on and a reason to dance in the kitchen, an understanding of the messy, beautiful reality that sometimes the best thing a relationship can do for you is end. Mae, you’re a superstar, and I’m so privileged to be part of your journey and to let readers and music fans know about your music and how great and addictive it is. I just can’t get enough, and now, my question to you is, when are we getting the next song??!!!

Stream “Hindsight Looks Good on Us” on Spotify 

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