BOYSARM, coming out of the artistic epicenter of Lagos, is not only a whisper around the University of Lagos anymore; he is a musician who is building his reputation as a musical maestro. Recently signed by Lestat Entertainment, this young musical genius has released his latest EP, titled “Elite”, which was released on April 5th. The uniqueness in BOYSARM’s approach lies in the fact that the dynamic nature of contemporary Nigerian society meets an inherent purposefulness of ancestors’ times. Not only does BOYSARM rely on the powerful beats of Afrobeats. The artist incorporates them into a sophisticated cultural blend that combines the traditional feel of the genre with the cosmopolitan character of modernity. There seems to be something magical about the style of BOYSARM—an innovative mix that at once resonates with Nigerian street culture and has a universal feel. While captivating the ears of the entire world, the artist is not merely trying to capitalize on the latest trend but is creating a new “elite” sound of African music. This is what makes this EP an outstanding example of the next stage in the evolution of the genre.
The song “Elite Anthem”, begins with neither the exuberant cry nor a loud and clear statement, but rather with a strikingly ambient intro. The song is built around a pulsing bassline accompanied by a soft, ethereal-sounding synth that builds anticipation, almost like morning fog dissipating. Instead of going right for the hook, Boysarm gives himself some time and lays down a medium-paced beat before starting to sing. This is not merely a “brag” song as suggested by its name; rather, it’s an expression of self-assurance and confidence in the idea that life should be at a better level than it currently is. The character in the song knows he’s exceptional and he isn’t afraid to let people know. The music, on the other hand, is assertive but restrained, without resorting to any flamboyant vocals to ensure that the strength of the message is highlighted. There is a sharp snare and repeated guitar riff throughout the verses that add a level of sophistication and give the song a live band vibe. Overall, this song inspires quietly but strongly, with the sense that it was made for those who want to vibe and dance. If at any point in the song you want to dance, don’t fight it, vibe to it and dance to it just like I did. This was the perfect choice to open the EP
In contrast to the opening track, which was heavily imbued with the atmosphere of the song, “ I Go Lie For You, begins with an even more intimate and minimalistic sound with a very rhythmic beat. It sounds like a beat that in Ghana, people will dance a traditional Dance called “borborbor”.It all starts with the melodious and nostalgic sound of the electric guitar that gives a romantic mood right away. This is a kind of song that plays with the idea of “ride or die.” Here, the focus is on such an extreme dedication to a person that you’re ready to sacrifice your integrity for the sake of the relationship’s purity. The character in the song is clearly smitten by this woman that he’s willing to compromise his integrity just to make her smile but, it’s not just lies, it’s hopeless devotion to her. The music in this piece revolves around the vocal work of Boysarm, where his voice becomes softer and breathier in the verses while in the chorus the harmony that is created when adding backing vocals makes it sound like something from heaven. The music is kept simple in order not to distract from the confessional tone of the lyrics, but the beat in the background was incredibly exciting
In moving to the main body of the EP, “Oroma” sees a return of the dance floor vibe but still retains the EP’s high level of professionalism and excitement. “Oroma” is introduced with a strong percussive beat right off the bat before the typical Amapiano log drum sound enters and sounds powerful and rich rather than weak. It is accompanied by a synthesizer playing repetitively as if mimicking the chirping of a bird, thus adding a vivid element to the song’s introduction. The topic here is “African womanhood,” but specifically one woman named Oroma. This character compliments Oroma and describes her so lovingly that even I want to meet this incredible woman who has inspired this song!. The music’s rhythmic quality is determined by the rhythmic complexity of its execution; the synchronization of the powerful bass line with the lighter sound of the shakers produces a physical desire for movement. Boysarm’s vocal lines are most rhythmic in this track, functioning almost like another percussion instrument as he delivers his lyrics rhythmically perfect into the groove. The effect on the listener is euphoric; it is a contagious piece that encourages you to get on the dance floor and shake your groove thing, I know I did
The EP ends with a song that encapsulates the essence of all that has been discussed throughout the work called “Klosa (Benede)”. The song features artist Kadibia. The song opens with an unstoppable Afrodjent beat, indicating the finale. The topic here is the closeness of both the body and the heart and how much you want the other to be close to you (“Klosa”). From the musical perspective, it is also the most upbeat yet complex one out of the four tracks. There is an impressive use of brass hits, bass lines meandering around, and a very high-quality vocal recording putting Boysarm in front of your face all the while giving Kadibia the chance to shine too. Overall, the effect is that of closure, a grand finishing touch that makes you feel like watching a completed artistic journey but in a very creative and enjoyable way.
The uniqueness in BOYSARM’s approach lies in the fact that the dynamic nature of contemporary Nigerian society meets an inherent purposefulness of ancestors’ times. Not only does BOYSARM rely on the powerful beats of Afrobeats. The artist incorporates them into a sophisticated cultural blend that combines the traditional feel of the genre with the cosmopolitan character of modernity. There seems to be something magical about the style of BOYSARM, an innovative mix that at once resonates with Nigerian street culture and has a universal feel. While captivating the ears of the entire world, the artist is not merely trying to capitalize on the latest trend but is creating a new “elite” sound of African music. This is what makes this EP an outstanding example of the next stage in the evolution of the genre. Produced amidst the acoustic cauldron of Lagos, the album is much more than music; it sets a new level of excellence by integrating global elements into the heart of traditional beats. In the buildup to BOYSARM’s live performance of the “Elite Gang” phenomenon at the Elite Party supported by the British Council, it is quite emotional to watch Afrobeats make its mark in venues traditionally dominated by other musical styles. It isn’t just a group of songs that he has released; it is a cultural milestone of his own making. The excitement for his next creation is almost palpable after such a deliberate effort.
Stream the “Elite” EP on Spotify
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