Sarpa Salpa ‘Dreaming,’ the band’s most recent release, is a stormer of a single that examines the highs and lows of being in a current band. From its soaring, kaleidoscopic synthesisers to Marcus Marooth’s traditionally forceful vocals, the track has an amazing feeling of personality and character, which reaches a culmination during its massive, emotional finish.
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With every piece of Bowfinger showing up, C’mon appears to hit all the right notes. It’s heavy and strong, catchy and cheerful, with all the proper Rock and Indie elements. There’s a lot to dissect here, with some pretty fascinating chordal tendencies and an atmosphere of electric pleasure.
“This one was an easy song to pitch to the kids because it’s dancy,” Dad (Ben) remarked of “Biological Clock,” “but it was difficult to get through Mum’s quality control, because it’s not a subject people normally open up about, and at one point we call her a womble.”
Breon S.Y.N.D.E.L.’s latest record, B.E.C (Baconeggandcheese), is a Brooklyn-born hip-hop heavyweight. We’re not the only supporters flying Breon’s flag, with B.E.C proving to be Breon’s boldest release yet, with support from Earmilk, Wordplay, and Plastic Magazine.
Over the course of “Looking Up at the World,” a sweeping soaring breadth emerges, relishing in Sarantos’ lyricism’s deep-seeded hope. He has a wide emotional range with his vocals. The story arc that runs throughout the song is refreshingly honest.